Epais comme un vinyl de pressage us. If you listen to this audio over numerous speakers, the identical call will be replicated to each of them. Guess I know what I'll be treating myself to. Most but not all lacquers used to press promos (A, G,D and H) went on to be used to press the commercial release. Since 1992 there have been a number of issue of the remastered, speed-corrected, Kind of Blue on both vinyl and digital formats, although arguably never a definitive LP rendering until the release of the Music On Vinyl set reviewed here. Doesnt mean there arent others higher, just not in my sample. For this reason, it doesnt really matter whether your copy is a Bridgeport, Pitman, Terre Haute or Hollywood. Those lacquers existed, and were put into service from 1963 onwards until the early. I reckon sales of KoB wasmaybem between 1959 and 1963, pure guesswork. 2001-2023 Head-Fi.org. Vinyl LP included is in stereo and was wondering (as a guy whos relatively new to jazz) whether Miles Davis (and any jazz record pre-1968-69) should be listened to in mono or stereo? A Love SupremeMono or Stereo?? - Audiokarma Home Audio Stereo A few other sharp-eyed KOB sellers noted T stamps a TA/ TB permutation, and a TB/ TC permutation. None were found 1A,1B or 1C, ( which are found only on the commercial release). Was looking at the RSD mono re-issue of KOB but just learned that it didn't come from the original mono masters. The above example on loan from a friend has 1D/ 1G stamper matrices, the Side 2 label track sequence error, but more interesting are the T/ TA stamps on the opposite side of the deadwax. OP, I can try to explain it but it's only after people listen to it that they get it. Probably got the high rez files from Sterling and pressed them at their own pressing plant (Record Industry, which presses great records). It sounds like a microphone that is being over-driven. These identifiable early stereo pressingsare pictured below. It may not display this or other websites correctly. However with very much fewer auctions, and fewer sellers still identified the stamper codes,little more likely to be learnedin return for muchgreater effort. It follows more or less the overall Columbia evolution Guaranteed High Fidelity becoming MONO (white print); and STEREO first in black print then white print. Kind of Blue est un album de jazz de Miles Davis sorti le 17 aot 1959 sur le label Columbia Records (rfrenc CL 1355).Il a t enregistr la mme anne, du 2 mars au 22 avril New York. It's possible to finD KOB and Milestones in Mono via Music on vinyl. However, compared to my later "6-eye" 1AJ pressing, the reissue sounds far less "milky-cloudy" and far more transparent to the source, without veering off into the analytical. Looking forward to this reissue, like all of Miles' albums I have both Mono and Stereo originals (1C Mono KOB). Could someone explain to me the attraction of a reissue of Kind Of Blue in mono that is a modern day fold-down from the 3 track master tape? When Sony announced the RSD release I assumed it would be similar to how they rolled out Milestones and Round About Midnight (a few months after)? If so, you bought a different version. If people didn't buy their products, then they wouldn't make them. Identifiable early pressings are very rare. The record is numbered as said, but by Music On Vinyl? Keeping them separate and sending them left, center and right produced "stereo" in name only. Most modern speakers are are small or narrow. Click here if you want this pressing without paying 4-20x retail (Come on now, you really should be ashamed of yourselves). Macero didn't produce Kind of Blue, Irving Townsend did. Hopefully I can find one to buy on Record Store Day. They were only on CD or SACD at that point since vinyl was done by Classic. The stereo versions are mixed in a similar fashion with center mixed into both left and right channels. c. 1966 They can't find the tapes. Gripsweat - HORACE SILVER TOKYO BLUES AUDIOPHILE 45RPM SPEED 180 GRAM Have a look. Again, I'm very happy with my Columbia RSD pressing. If you mean at the beginning I'd say that is "sympathetic vibrations" and microphone leakage. Mostauction copieshave the corrected Side 2 label, but some sellers claim theirs isan original first pressing, simply because it is a Six-Eye label. If I'm reading this correctly, this mono vinyl reissue is an all analogue cut? Will debut at record stores on November 29th or thereabouts. The masters were digitized and corrections/edits made. If the promos were all pressed at Bridgeport, Conn, one of the East Coast jacket manufacturer Imperial Paper Box Corp, Brooklyn (2) or Modern Album Long Island (3) would have supplied the jackets, no? I just got the 2LP Classic Records stereo today and have had the blue 50th so I'm anxious to see how this compares. Flamenco Sketches), US first commercial release six eye label -Stereo, Early vs later pressing Side 2 stereo initialtrack listing error. If the covers were merely manufactured centrally at Indianapolis and supplied to Bridgeport for the promo pressing, why is there both 4 and 2, AND 6. The stereo playback from the original masters was eerie. The Holy Grail, Kind of Blue, six eye stereo KoB 3. See original listing. None of these letters ever appear at any later date up to modern times. Columbia-CBS US (1961-67) The Six-Eye Columbias were the stars of Fifties audiophile recording engineering and pressing, however, however around 1961 corporate changes at Columbia were signalled by the introduction of the "CBS" name in addition to "Columbia". I even threw in the 90's SBM cd for the hell of it. 2 of them are friends and the 3rd one is my father-in-law. But just to make it crystal clearTao has gone on record many times to state he was always futzing with the speed of Miles's tracks to make sure the "groove felt right". Hence promos are all proven pre 11/59. I haven't had a chance to turn it up yet but it seems the instruments are further up in the mix and I could hear deeper into the background. the site simply writes whatever their advertisers tells them to, so just follow the recommendations given by your fellow forum members. I didn't realize Music On Vinyl was releasing this same version on RSD as the Columbia pressing. Is that correct. That, and . Discussion in 'Music Corner' started by Adagio, Jun 27, 2021. BJ 31st; BK 32nd; BL 33rd; CA 34th; CB 35th; CC 36th; If you owned an original Van Gogh and he suddenly knocked on your door ran in and painted a little bit more on your canvashe would be ruining his original art. The process-control system to keep track of lacquers, mothers and stampers did not require matching or sequencing, becauseit did not matter which lacquer was used, as they were all the same as long as you had a Side 1 and a Side 2 stamper mounted in the press. But most importantly, the music experience is complete and organically "whole," making a strong case for the superiority of the mono mix. Good luck, L edition numrot de 2015 Dans un emballage carton bleu. Then in the commercial release, 1E, 1H, 1AA and 1AC among the first pressings, evidenced by the Side 2 label track-listing error. Yes, hearing "stereo" was exciting for me too, but over time I've come to realize that much of what was called "stereo" was just mono channels divided between the channels. And, as a personal taste, I prefer orchestral recordings Porgy , Sketches , and Miles Ahead , all done with Gil Evansspread out. Simon & Garfunkel Mono Vs Stereo Discussion : r/vinyl - Reddit This is true EVEN IF the original artist/people are involved in the later versions. Every tape machine in a proper recording studio is calibrated directly before the recording session to make sure it is performing to spec using alignment tapes and an oscilliscope. Hi michael, Do you know about Music on vinyl in EU. At their web site? I can understand why people rave over immense Klangfilm field coil open baffle loudspeakers in a single mono configuration. Hoffman console? | Audiokarma Home Audio Stereo Discussion Forums With 1D (different printer and pressing location?) Different listening experience. Both the mono and the stereo originals display the same pitch problem, that went un-corrected for decades. Instead what you got were three islands joined together with added reverb. The mono Pepper has always struck me as sort of staid but I'm a stereo guy. UPDATE 12/08/19: a copy with 1F has been found, with track listing error Side 2 1D/1F with TA etching (Conn. plant). Taking anything anyone sayson the Internet or otherwise, but especially on the Internetwith a grain of salt when it comes to sound is more than a healthy approach and ultimately the one you can trust the most (hopefully) is you yourself and your own ears. For some records, possibly. D is found in every permutation, including with A. G and H are never found paired with each other, or at least not found in my sample. I am not convinced the first stereo pressings followed the 1A/ 1B/ 1C/ route at all. Analog Planet is a Stereophile owned Web side and as such cannot be trusted for an unbiased opinion, i.e. I'm not going to write about the modal music here. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. Beatles 2022 Revolver Mono in the box: stereo jacket? | Steve Hoffman Kind of Blue Mono & Stereo Collector's Edition 2LP Set 180 gram, 33 rpm, Collector's Edition, Gatefold, Mono. I appreciate the help. Would you know which pressing that would be? Create a free website or blog at WordPress.com. He claimed back then that sometimes they would vari-speed tracks slightly to change the tempo. I suppose that is a personal preference. You might find this review informative: Now not quite so "new" to Head-Fi but not new to headphones, audio, music and especially jazz. Both are difficult to get but worth seeking out. Once I got past the noise in the outer grooves (I cleaned it again) I found myself going back to the first time I heard it. There must be a mechanical reason why they are mostly though not always offset mirrored pairs (Side 1 stamper from one lacquer, side 2 stamper from another lacquer)and not symmetrical pairs (e.g.1E/1E), possibly to run two presses simultaneously, or to ensure metal sets from each lacquer wear equally, but that is for another day. my copy says Music on Vynil launched on black friday with serial n. Columbia CL 1193 Milestones Miles Davis, Recorded February March 1958. Discussion in 'Music Corner' started by youraveragevinylcollector, Mar 22, 2016. Which Beatles Mono Collection? - Music in General - Audiophile Style I could go on about the sound but I think the real point is that given todays best 24/192 PCM processing/mixing and using original vinyl as a reference for the new mix, great things can be done. First, a recap of conventional wisdom information gathered in good faith from partial experience, true of some circumstances, but not necessarily applicable to all. I don't know a lot about record store day. In afurther variation the word UNBREAKABLE under the catalogue number disappears. There is no real distortion on any version of KOB that I own but there certainly IS the sound of reeds vibrating. Another fifteen lacquers contribute to the final tally of all those found. And the alternate take just sounds stupendous. Or are they some digital combinaison? Kind of Blue There is only one Mona Lisa and there is only one "The Starry Night".you may really like you're reproduction or lithograph, you can argue it's pros and cons over other versions, but just know it's not the original. Is there anything left to say on the most popular and arguably greatest jazz LP of all time? This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. Wildler and Berkowitz recently decided to do another and perhaps final 3-track KOB transfer: to DSD, to 192/24 bit PCM (and probably other resolution digital) and at the same time, a two-channel stereo and a mono mixdown to analog tape. Hence the stereo (but not the mono) releases of Kind of Blue and virtually all the releases were stereo had always had those three tracks playing at slightly the wrong pitch. The stereo presentation revealed more air, more detail and more sheer life than the mono. Kind of blue Crossword Clue | Wordplays.com A further four lacquers BB, BG, AL and BH, take us up to the three-quarter mark of all stereo copies manufactured. It's not distortion. and from others better equipped than I to shed light on its innate greatness or lasting musical significance. they too are pre 11/59. No soul at all. I listen to critics and online commenters whose point of view I can understand. I've looked at the website and so far all I've learned is to find a local participating record store. Needle doctor even sells them. Miles Davis - Kind Of Blue Vinyl LP Review And Comparison - YouTube ), the mono reissue is a necessity not an "add-on" option! These are the fabricator codes used by the main cover suppliers to majors, including Capitol and Columbia (information gleaned by Beatles researchers): 2 Imperial Paper Box Corp., Inc. of Brooklyn, NY So how does the mono compare to the stereo and how does this mono compare to the original? Most Columbia pressings have asymmetrical non-sequential pairings, such as 1D/1AC. Happy holidays to all. Many processes today are managed by computers, which have sequential logic built in. Mono VS Stereo - Which One Should You Use - And Why! - Wealthy Sound The price seems a little high to me but I have no idea of the quality or condition of this console. Columbia went down the letters to a certain point and then started double letters (AJ) so I'd say that was fairly early. The number of channels used while recording and listening to audio is the primary distinction between Mono and Stereo sound. My dad put aside a copy of the Kind of Blue 50th anniversary box set for me recently. I know that there are multiple versions of Miles Davis' Kind of Blue, there are the MFSL, the original mono and stereo LPs, the 200 gram stereo remaster, and I have listened to the album on YouTube, and 256kbps isn't doing the material justice. The Law of Diminishing Returns another unproven Hi Fimaxim, LJC home recipe for vacuum record cleaningmachines, Blue Note recordings and pressings: best audioquality, Blue Note Records: Complete Guide To The Blue NoteLabels, Blue Note labels: 1500 series, alltitles, Blue Note covers: company addresses andchanges, Blue Note covers: spine, lamination, and companyaddress, Blue Note recordings: mono, stereo,pseudo-stereo, Blue Note recordings: transition from mono tostereo, Blue Note recordings: date of session andrelease, Blue Note vinyl: flat, beaded, serratededges, Blue Note typography: fonts andtypesetting, Blue Note originals without the Plastylite ear, Blue Note Records: the Liberty era,1966-70, Blue Note Records The United Artists Years1970-79, Division of United Artists ReplicaSeries, Blue Note Records: the EMI era, 1979 to presentday, Blue Note guides: Dottorjazz guide to 1stpressings, Blue Note guides: LJC 1st presschecklist, Blue Note catalogue: 1500 serieslisting, Blue Note catalogue: United Artists BN-LA serieslisting, Blue Note Catalogue: United Artists LT serieslisting, Atlantic First Pressing Guide Part 1-Mono, Atlantic First Pressing Guide Part 2 Stereo, Columbia Matrix Codes case study: Kind ofBlue, Covers: frames and text, and coveraddresses, Contemporary labels by title, complete referenceset, Contemporary covers by title complete ReferenceSet, Prestige and Esquire covers, side byside, Esquire 12 32-000 series covers complete, Esquire catalogue number by Prestigenumber, Esquire Cover Art Gallery personalcollection, Impulse! Kevin Gray: Columbia used PAL and PBL prefixes for side 1 and 2, and A and B suffixes for the Santa Maria, Ca. As Marks reports, only the center channel microphones used by Davis and bassist Paul Chambers had "send and return" lines to and from the 30th street studios concrete echo chamber but leakage from the other instruments into their microphones, (plus the converted church's natural reverb), probably accounts for the recording's spacious ambience and its overall coherent reverberant field. Do you guys really think that Tao and Miles OR THE RECORDING AND MASTERING ENGINEERS wouldn't notice the speed was off? Thanks again Michael! Pressed in Japan and housed in a tip-on jacket with OBI strip. Kind of Blue, an Album by Miles Davis. He is loved and well know by audiophiles and musicians all over the world. Your phrasing that mastering did the fold down is incorrect. can lpc diagnose in missouri My account. I've got both. The four variations are offset pairs eg 1D/1H and 1H/1D.With D, G and H, and each letter is found as Side 1 and Side 2. Perhaps that is one reason why so many were cut: quality control in distributed pressing through inexpensive redundancy. To be fair, some are done better than others (I say this only having listened through speakers - I don't want to think about what the . Dylan and The Beatles were far more interested in the mono mixes because they knew that's how most fans would be listening at home and especially on the radio. This was released as a single recordafter the blue vinyl(different masteringfrom Kevin gray). Now I'm curious if I should drop more cash on 'Round About Midnight Columbia Mono they just released. No lacquer is a second or third generation copy, or a copy of a copy, or of later manufacture. I guess I'll buy the MOFI 45RPM version as well, but now fremer got me into the MONO version. This is the first take of Flamenco Sketches. Hey Mendo, let us know how the ultrasonic cleaner comes out. Columbia was a major, not the sort of small operator that would use up wrong labels to save money. The majority of 1A and 1Bmatrix pairs are found as Side 2 paired with a higher letter on Side 1 (e.g. I know the company doesn't forcibly place them in anyone's hands. It got me "in the room" or studio, with the guys, where mono just did not, so I find it kind of (sorry) bizarre that, under almost any circumstance, mono would be the preferred medium where stereo is available. Whilst metal was strictly process controlled, it seems there was much greater latitude in printing, with different fonts and discretionary compositing decisions e.g. . Ebay auctions of Kind of Blue on six-eye label over last three years where, seller identified matrix on both sides (198 commercial releases, 218 in total including twenty promos). It is a twice a year event. To speculate that Teo/Miles/the band "never bothered to listen or simply didn't notice" is just plain insulting to those involved. Unfortunately, the Kind of Blue mono master tape no longer exists. The Crossword Solver found 30 answers to "Kind of blue", 4 letters crossword clue. The Hollywood plant (located at 8723 Alden Drive from 1948) also closed some time in 64 when Santa Maria became fully operational., All lacquers cut are numberedin a standard matrix codeformat,stamped into the vinyl land lacquer between the grooves and label. Mono gives it a much more authentic feeling, but as for quality, stereo is what I have always gone too. It very well may have been erased and the tape re-used. ), Forum Policies, Rules, and Terms of Service. What is the slight distortion that is present in every copy of KOB I've ever heard? I don't hear it throughout the record. Nothing is sold at gun point. One visible on a photo: During 1963, the Columbia label changed from six eye to two-eye.Columbia two-eye KoB has a degree of chronology, so there are early and later two-eye. Stereo promos leapfrog the expected alphabetic progression jumping fromE (5th cutting) to AE (16th cutting). This is specially true for master tapes that are over 30 years old and are not the holly grail many believe them to be. affiliations include, but are not limited to, the eBay Partner Network, and There is some evidence to indicate that an actual mono tape wasn't made, though I understand that it was customary to run both machines simultaneously during the time that KOB was recorded. They all sound good but the SACD is sublime. Either way he claimed that he hated the Sony releases. Matrix 1A/1A with Side 2 track-listing error, an example. What happened? Where a piece published after 26th October 2012 appears which is linked to this activity, the text will be followed by the following symbol:(pp), Website styled by Richard Bateman using the Broadsheet Theme for WordPress, London Jazz News Logo designed by Mike Lloyd @Yellow Design, As regards liablity for consequences of any action taken in response to information provided on LondonJazz, we adopt, All original content on these pages is fingerprinted and certified by. A small number of lacquers were responsible for generating mono and stereo promos, said to be manufactured in one plant, Bridgeport CT (WB New York, based on characteristics of centre label typesetting) though contradicted by local jacket manufacture codes accompanying promos. CBS overprint non-DG illustrated below (1962/3). 1D/1H, 1H/1D, 1D/1G, 1G/1D, no other letters were found. Barcode and Other Identifiers Barcode: 4 547366 450958 Other Versions (5 of 502) View All Recommendations Kind Of Blue Miles Davis (Also, the mono mix for "Flowers Never Bend with the Rainfall" sounds better to me, but that mix seems to only appear on the single and not on the album) The stereo has far higher dynamic range and feels less compressed. You may ask how a perfectionist like Miles Davis or one of the other members of the band did not notice the pitch shift. no I don't) are now in very poor condition even though they sat untouched in the vault from 1959 until 1992. I just bought the 24/192 versions of KOB (mono and stereo) and they sound great. Columbia/Sony Legacy CL-1355 (88883761031) 180g mono LP, Mixed by: Mark Wilder/Steve Berkowitz (this reissue), Mastered by: Ryan K. Smith at Sterling Sound, Over the past few Record Store Days Sony/Legacy has slowly been rolling out on 180g vinyl much of the Miles Davis catalog, mastered from original analog tapes. But sometimes a new remaster can bring new life to old records, yes even a better sound, especially for the bass and drums, yet, what came out in the later fifties and early sixties almost can't be beat. The Sony reissues are louder than their MoFi counterparts. Maybe theyre in your garden shed. HARRY T BOOKER Mister Is Blue MONO/STEREO 45 Promo Rare Soul WB. Dynamic range doesn't seem terribly reduced, more that the overall level has just been raised. LP REVIEW: Miles Davis - Kind of Blue (Deluxe) - London Jazz News The mysteryis the missing lacquers the nextletters which never appear on any side of any monocopy of Kind of Blue: E, F, K andL. None appear in the auctions sampleor the reader survey. As mentioned before, I noticed the same "rightness" on RCA's mono vinyl of Belafone at Carnegie Hall. The two channel mix down will most likely be the source of a Mobile Fidelity stereo reissue coming later in the year as part of that label's Miles Davis stereo vinyl reissue project. The stereo is better seperated. (Model #s B8001, B8005-B8010) Some are listed as 2 chassis units. It was remixed properly. All Blues 2. Ron Rambach and I get these comments all the time on our Blue Note reissues for Music Matters Jazz. Take that away and things work quite differently in practice. Press operators at this time have stressed that their two priorities were to ensure Side 1 and 2 were correctly matched, and that the labels were completely dry. That said, they are BOTH fantastic. During these sessions both a mono and a three-track stereo master were created, using a total of four tape recorders running in synchronisation one prime recorder and one safety backup each for mono and stereo. That's a killer disc all right, and the 5(3).1 is a wonder to behold. Analog Planet - 24 Sep 13 Miles Davis "Kind of Blue" Monophonic Reissue From Sony/Legacy: An Analog. A 1st cutting; B 2nd; C 3rd; D 4th;E 5th; F 6th; Affiliate programs and Looking at theYouTube video and write-upon HD tracks and on the sister site: http://www.audiostream.com/content/miles-davis-kind-blue-again. The mono original (and reissue) provides a better overall instrumental balance, with greater emphasis on the piano and more solid imaging. A known unknown. The question never was answered is this mono pressing all analog? I assume Mo-Fi's KOB will be the new stereo mix. Though lacquers were cut and numbered sequentially at the point of manufacture, for Kind of Blue at least, they were not drawn for use sequentially. They occur in offset mirrored pairs H/D D/H, D/G and G/D, just one exception a mono promo 1D/1D has been found, so matching plates did sometimes occur, though in every other case, they do not i.e there was a process and reason behind selecting unmatched pairs, not a random or chance selection. One of these assumptions is wrong by a factor of ten, crazy, but we find what we find. Conventional wisdom is no guide to what actually happens, Postscript Technical Appendix the data. Have you read Fremer's review? Mono vs Stereo: The Complete Guide | HiFiReport.com 5 Modern Album of Terre Haute, IN They're very impressive for mono recordings. 2020 Japanese reissue. In preparation for the commercial release, Columbia engineers cut at least 27 identical lacquers from the first master tape mix, one set mono, the other stereo. the Amazon Associates Program via amazon.com. I'll be grabbing this mono version! If I can have a choice between Stereo & mono I always take the mono-album. Besides, I said nothing about paying attention to what they said about the vinyl under review; my intention was for people to read what was said about the state of the master tapes, how the most recent mono and stereo mixes were made, etc. More drive, more punch. When you click on links to various merchants on this site and make a purchase, DE 49th;ad infinitum. John Marks' account of hearing the three-track master tape at Sony Studios, I don't know a lot about record store day.
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