In other words, such discrimination and historic prejudice directly relate to the current cultural conflict and ongoing search for identity for Indigenous Australians (NGV 2014). Free entry, Find out what you need to know before visiting, Untitled (reference to Colin McCahon's 'Valley of the dry bones'), Myth of the Western man (White man's burden), Outsider/ insider: the art of Gordon Bennett, Mmoires vives: une histoire de l'art aborigine, Australian art and the Russian avant-garde. The works I have produced are notes, nothing more, to you and your works, posthumously yes, but importantly for me - living in the suburbs of Brisbane in the context of Australia and its colonial history, about as far away from New York as you can get - these are also notes to the people who knew you and your works, those who carry you with them in their memories and perhaps in their hearts.1. Est: AUD30 - AUD50. past efforts to "explain" myself - it reads: "Cultural identities are This included abstract expressionism and a dot aesthetic inspired by the Papunya Tula art movement of the Australian Western Desert. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia Gordon Bennett: Illuminations or a season in hell | Artlink Magazine (LogOut/ Gordon Bennett | Notes to Basquiat (1999) | MutualArt Outsider 1988 Art challenges and influences public opinion on conflict, yet more importantly it identifies injustices inherent to the cultural relationships and identities within a society. Gordon Bennett | NOTES TO BASQUIAT (2001) | MutualArt document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Gordon Bennett Notes to Basquiat (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm, http://www.abc.net.au/arts/blog/arts-desk/Gordon-Bennett-artist-who-scaled-heights-of-artworld/default.htm, Psycho-social and psychological perspectives on religious violence (week4). The diversity of Bennetts work is another striking feature. Sold for $98,182 (inc. BP) in Auction 65 - 10 November 2021, Melbourne. I was drawn once again to the semiotic About; About. Can I get copies of items from the Library? Signed and dated u.l. Provenance. He first became aware of his dual heritage when he was a young teenager. cat., 2001, front cover View artist profile Add to wishlist. Unfinished Business: The Art of Gordon Bennett Bennetts painting Notes to Basquiat (2001) presents distinctly cultural conflict in contemporary Australian society. The visually complex and layered works challenge received accounts of Australian colonial history. For example, the small painting of a black angel in the installation in the first room of the exhibition titled Psycho(d)rama (1990) recurs in Notes to Basquiat (Jackson Pollock and his Other) (2001). Sold at Auction: Gordon Bennett - Invaluable why. Code #:14841 LOCATION: Redfern NSW . We tend to think of him as a key figure in political or critical postmodernism. Born in 1955 in Monto, Queensland, Bennett was unaware of his mother's . Preston, though well-meaning in her quest to create a truly national artistic style, produced works that corrupted sacred aboriginal motifs, and presented aboriginal people as little more than stylised caricatures of the noble savage.In addressing these notes, the paintings, to the departed American artist Jean-Michel Basquiat, Bennett expressed what he felt was histories of shared experience, an affinity felt through mutual exclusion from a euro-centric contemporary art world. the 1980s. Gordon Bennett Notes to Basquiat: Australia Day Re-enactment, 1999 Acrylic on linen 182.5 x 182.5cm + Gordon Bennett Home dcor (Preston + de Stijl = Citizen) Panorama, 1997 Acrylic on canvas 182.7 x 365.3cm National Gallery of Victoria + Gordon Bennett Possession Island . Forms and styles of representation recur, transmute and metamorphose across his oeuvre in a dizzying fashion. NOTES TO BASQUIAT: CUT THE CIRCLE II, 2001 - Deutscher and Hackett The Estate of Gordon Bennett The persona of John Citizen partly represents 'the Australian Mr Average', but is also a kind of disguise for Bennett. synthetic polymer paint on canvas. Written just three years after Bennett graduated from art school as a mature aged student, it gives a very clear sense of his early ambition and political purpose. The Estate of Gordon Bennett, Collection: Queensland Art Gallery / Gallery of Modern Art. Possession Island 1991 In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. In its wake the pile of rubble grows skyward. Inscription. An Aboriginal man is inserted into the picture whose exploding head is turning into stars. The art and legacy of Gordon Bennett (1955-2014), one of Australia's most influential contemporary artists, will be on show at the Gallery of Modern Art (GOMA) from 7 November 2020 to 21 March 2021. Australian art: Storylines - National Gallery of Australia View upcoming auction estimates and receive personalized email alerts for the artists you follow. A humanist at heart, Bennett created works which are grounded in personal experience and an authentic voice. Indeed, Bennetts extraordinary attention to visual languages, their meanings and implications, is the key revelation about his oeuvre I have taken away from the current exhibition. Given that consistently expressed view, thinking about how his work addresses the cause of anti-racism is an apt prism through which to view the current exhibition. The ideals of pure colour and form of early 20th century De Stjil abstraction appeared to Bennett as another form of exclusion. NOTES TO BASQUIAT: MYTH OF THE WESTERN MAN, 2001. synthetic polymer paint on linen. Typically, this is the style of contemporary art associated with ideology critique, unveiling systems of discrimination and oppression like racism and sexism. Writing in his Manifest Toe in 1996, Bennett said: If I were to choose a single word to describe my art practice it would be the word question. back the skin and flesh to reveal the innards, ribs and skeleton, the Explainer: what is postmodernism? 16, Paris, 08 Dec 2013, 16 (colour illus.). Gordon Bennett - Notes to Basquiat: 911 - Search the Collection, National Gallery of Australia This echo is surely intended as Butler claims that Bennett's last decade of work (post-Notes to Basquiat, [after 2002]) resorted 'to an easy irony' - a 'cynical postmodernism' - as if he 'may be running out of inspiration.' However, farce does have its [2] lessons and perhaps speaks more truthfully to our age. By Julie Ewington Gordon Bennett was a painter of history and histories. Gordon Bennett - Notes to Basquiat: 911 - Search the Collection ^ Terry Smith, "Australia's Anxiety," History and Memory in the Art of Gordon Bennett, Birmingham: Ikon Gallery, 1999, p. 17. Gordon Bennett's paintings in the late 1980s and early 90s were informed by theories about appropriation - the borrowing of images from other artists and visual sources - and by post-colonial theories about identity and history. A critically and politically engaged artist, Bennett presents alternative historical narratives of Australia and of contemporary world events, creating provocative works that place identity politics front and centre. we may be separated by cultural context, time, space and death. With the invitation to exhibit in a contemporary art fair at New Yorks Gramercy Hotel as catalyst, in 1998 Bennett embarked upon his celebrated Notes to Basquiat series paying homage to the work of Neo-Expressionist painter Jean-Michel Basquiat the first African American to receive international art world acclaim who also shared a similar preoccupation with semiotics and visual language as instruments of marginalisation. He did not discover his Aboriginal heritage until around age 11 and always resisted being pigeonholed as an Aboriginal artist. He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. Notes to Basquiat: Famous boomerang 1998 Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia The work also relates to Basquiat's paintings, following the same principles as his graffiti, signifying the existence of a more basic truth hidden within a given event or thought"--Information from acquisitions documentation. Far from being grounded in mere "recovery" Paul Matharan and Arnaud Morvan, Mmoires vives: une histoire de l'art aborigine, Bordeaux, 2013, 220, 221 (colour illus.). Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia Gordon Bennett 'Notes to Basquiat' (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm. Synthetic polymer paint on paper Copyright 20102023, The Conversation US, Inc. inscribed in pencil on reverse : G Bennett 19-5-2000 / "NOTES TO BASQUIAT : DOUBLE VISION" / Acrylic on Linen 152 x 182.5 cms / Jean Cocteau "orpheus" / MIRRORS WOULD DO WELL / TO REFLECT MORE". Gordon Bennett | NGV Gordon Bennett Australia 1955-2014 Notes to Basquiat (Death of Irony) 2002 Synthetic polymer paint on linen / 152 x 304cm The Estate of Gordon Bennett. . Notes to Basquiat: one tense moment, Bellas Milani Gallery, Fortitude Valley, Jun1999Unknown, Biennale of Sydney 2000, Museum of Contemporary Art, Australia, 26May200030Jul2000, Outsider/ insider: the art of Gordon Bennett, AAMU, Museum of contemporary Aboriginal art, Utrecht, 21Jun201209Dec2012, Mmoires vives: une histoire de l'art aborigine, Muse dAquitaine, Bordeaux, 16Oct201330Mar2014, Australian art and the Russian avant-garde, Art Gallery of New South Wales, Sydney, 29Jul201729Oct2017, Carnivalesque, Art Gallery of New South Wales, Sydney, 23Jun201828Oct2018, Jrme Bellay (Editor), Le Journal du Dimanche, 'L'art aborigne, la croise des mondes', pg. Notes to Basquiat: Australiana 1998 Bennett, G., quoted in Gordon Bennett, National Gallery of Victoria, Melbourne, 2007, p. 212. ibid.3. Gordon Bennett Australia 1955-2014 Notes to Basquiat (Jackson Pollock and His Other) 2001 Synthetic polymer paint on linen / 2 panels: 152 x 152 cm each, 152 x 304 cm (overall), Gordon Bennett Australia 1955-2014. (2014). signed, dated and inscribed verso: G Bennett 3-9-1999 / NOTES TO BASQUIAT: (ab) original / [], Sherman Galleries, SydneyGene and Brian Sherman collection, Sydney, Gordon Bennett Notes to Basquiat: One Tense Moment (episode two), Sherman Galleries, Sydney, 5 November 4 December 1999, cat. This education resource accompanies the retrospective exhibition Gordon Bennett (2008) which showcased 85 works by this internationally acclaimed Australian artist.Bennett's art engages with historical and contemporary questions of cultural and personal identity, with a specific focus on Australia's colonial past and its postcolonial present. Arguing that the codes of Western art, literature, law and science introduced with European settlement have become a prison from which indigenous people cannot escape but rather, only appropriate Bennett sought to picture such manifold conspiracies, employing the deconstructivist aesthetic of postmodernism to re-present the histories and politics underlying the Australian social landscape. Access more artwork lots and estimated & realized auction prices on MutualArt. The price achieved of AUD 4,700 ( 2,835) was within expectations - the estimate range had previously been given by the auction house as AUD 4,000 - 5,000. Gordon Bennett. artist with Puerto-Rican heritage who came to prominence in the USA in 120 x 80cm history, culture and power. Michel Basquiat and the "Dark" side of Hybridity" by Dick Hebdige, in These shapes are coloured red, yellow and black referencing the Aboriginal flag and loss of a culture. Haptic Painting (Explorer: The Inland Sea) 1993 Synthetic polymer paint on canvas / 177 x 265cm The Estate of Gordon Bennett, Collection: Commonwealth Bank of Australia, Gordon Bennett Australia 1955-2014. In Gordon Bennetts splendidly savage painting Notes to Basquiat: Perfect teeth 2000, his bright, biting satire sets white teeth against black skin in a retro pop-culture parody; the word mono in the centre of the canvas suggests the dominance of one colour in art and life, as well as implying what we might think of monotones (wherever found) and the assertion of a monoculture. Collection: The Estate of Gordon Bennett. Perhaps McLean reads Bennetts work in this way because anger at injustice is the emotional tone critical postmodernism typically adopts. Look more closely, however, you can see paintings by the 'real' Bennett displayed on the walls. Galtung, J. Pollocks action painting is presented as a form of cultural appropriation of First Nations sand painting in Notes to Basquiat: Bird (2001), and those same active lines form the veins of Bloodlines (1993). What I had not realised is that he is also in an intense dialogue with himself and his earlier work. He first became aware of his dual heritage when he was a young teenager. Gift of The Hon. It is anything but. . Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. signed and dated verso: G. Bennett 8 -03-2001. title, medium and dimensions inscribed verso: NOTES TO BASQUIAT: CUT THE CIRCLE II / Acrylic on linen / 5 x 6, 152 x 182.5 cm. 6 (stamped on stretcher bar verso)Kwangju Biennale 2000: Man + Space,Kwangju Biennale Exhibition Hall - Gallery 4, Korea, 29 March 7 June 2000Midwinter Masters: (Whats so funny bout) peace, love and understanding?, The Gallery, Bayside Arts and Cultural Centre, Melbourne, 22 June 18 August 2013 (illus. Sold for $44,400 (inc. BP) in Auction 3 - 29 November 2007, Melbourne. Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Piet Mondrian, Kazimir Malevich and Vincent Van Gogh. Estimate: $35,000 - $45,000. By peeling ^ Gordon Bennett in Gordon Bennett: Selected Writings, Power Publications and Griffith University Art Museum, 2020, p. 132. Write an article and join a growing community of more than 163,400 academics and researchers from 4,609 institutions. Bennett emerges as one of the most important Australian artists of the latter part of the 20th century and one we have certainly not finished interpreting. The Notes to Basquiat: 911 series and the Camouflage series, which reflect on the terrorist attacks of September 11, 2001 and the war in Iraq respectively, highlight Bennett's global perspective. author unknown. In 1995 Bennett began making work under the name 'John Citizen'. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia This critical orientation is particularly evident in Bennetts history paintings, displayed in the third room of the exhibition. by Greg Tate which reads: "To be a race-identified race-refugee is to They reference the massacres of Aboriginal people in Myth of the Western man (White mans burden) (1992) and The nine ricochets (Fall down black fella, Jump up white fella (1990) and question the valorising of Captain Cook in Big Romantic Painting (Apotheosis of Captain Cook) (1993) and Possession Island (1991). 109 Bennett's mimicry of Basquiat's style is not an attempt to be like Basquiat or to get an authentic street beat into his life. He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Bennett makes art that questions accepted versions of history, often taking historical artworks as his starting point. Notes to Basquiat - Big Shoes - 2002. It was another way for the artist to avoid being typecast simply as 'a professional Aborigine, which both misrepresents me and denies my upbringing and Scottish/English heritage'. I think it seeks to go beyond the words on the paper into a world of metaphor, allegory, images and ideas in order to say something that may not be said with just words.3, 1. Bennetts Notes to Basquiat collectively have had an extensive exhibition history, with a selection exhibited in the Kwangju Biennale 2000: Man + Space, Korea and the 9th Asia Pacific Triennial in 2001. 120 x 80cm Bennett was born in Monto, Queensland, in 1955 to an indigenous Australian mother and an Anglo Celtic migrant father. He writes of Bennett: The anger is never far from the surface of his work, though he was perplexed by the common perception of it as angry.. Representation itself is political. Open from 12 noon Anzac Day Closed Good Friday, Christmas Day and Boxing Day, Queensland Art Gallery Board of Trustees 2023, See Kelly Gellatly, Citizen in the making: The art of Gordon Bennett, in, Stanley Place, South Brisbane, Queensland 4101 Australia. Limited Edition Digital Works on Paper . tap-dance on a tightrope". Impossible aims, such as this one, often underpin and drive the work of major artists; an achievable aim after all would be quickly satisfied. University of Wollongong Research Online of history and culture - not an essence, but a positioning. Please also be aware that you may see certain words or descriptions in this catalogue which reflect the authors attitude or that of the period in which the item was created and may now be considered offensive. Gordon Bennett Neo-Expressionism | by Exposition Art Blog | Medium 1 / 1 - Notes to Basquiat - Big Shoes - 2002. Looking through the exhibition, this internal language becomes insistently present as the resonances between works start to sound. 23-25, Sydney, May 2017-Jun 2017, 24 (colour illus.). I was also aware of his concern with western systems of representation and their oppressive effects. 'Unfinished Business: The Art of Gordon Bennett' celebrates the Queensland-based artist's globally recognised contribution to . In 1994 I purchased a book on your work published as a catalogue to a View Scale Rotate. Bennett's series works across both Australian and American cultures, with wider historic references to the radical and the marginalised. Notes to Basquiat: Female Pelvis by Gordon Bennett | Art.Salon Bennett has reinterpreted their statement as a comment on the government's lack of apology to the Stolen Generations. View NOTES TO BASQUIAT (2001) By Bennett Gordon; synthetic polymer paint on linen; 152.0 x 182.5 cm ; Signed; . NOTES TO BASQUIAT: LIBERTY, 2000 | Deutscher and Hackett His three paintings titled. In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work. Quoting the raw graffiti expressionism of Philip Guston and Jean-Michel Basquiat, Bennett identifies a more authentic form of modernist painting, intimately connected to notions of race, ancestry and nation scrawled in lists close-by.Playing with the flatness of the picture plane so exalted by Modernist theory, Bennetts layers of text and appropriated images jostle for prominence. John Saxby (Editor), Look, 'The art that made me: Reg Mombassa', Sydney, Nov 2015, 13. Jean-Michel Basquiat I salute you. Gordon Bennett: Be Polite - Galleries West Works | NGV | View Work of different experience and layers that make us the individuals we are In the wake of his untimely death less than two years ago, Gordon Bennett has been championed as a hero of Australian art who drew inspiration from Australias colonial past and postcolonial present to powerfully interrogate the role of language in structuring the ideologies that so determine our personal and cultural identities. Unfinished Business: The Art of Gordon Bennett - QAGOMA Blog The strange row of heads depicted in the very early work, The Coming of the Light (1987) forms part of the background of this same image. Read more: > Notes to Basquiat SAVE ARTWORK FOLLOW ARTIST. I confess I used to think so, but seeing this exhibition has made me reconsider. The University of Queensland, Brisbane Acquired with the Assistance of the Visual Arts and Crafts Board of the Australia Council, 1989, The Estate of Gordon Bennett Collection: The University of Queensland. The former emerges from a Klansman conical shroud, the gears of his brain communicating directly with those of his subordinate comrade, like the mechanisms of a ventriloquists doll. The work Notes to Basquiat: Female Pelvis by Gordon Bennett was auctioned at Christies in Melbourne in November 2003. Open daily 152.0 x 182.5 cm. come from somewhere, have histories, and like everything which is historical, Bennett, Gordon. Inscriptions: "G. Bennett Nov. 1999 / Notes to Basquiat: Untitled"--On verso. His paintings are not expressionist. Apologies -- Australia -- Pictorial works. In the upper left-hand corner, a Margaret Preston stylised female figure tumbles, caught in a modernist lattice reminiscent of the work of Dutch artist Piet Mondrian. ), Notes to Basquiat (In The Future Art Will Not Be Boring), 1999, collection of the Art Gallery of New South Wales, SydneyNotes to Basquiat (In the future everything will be as certain as it used to be) 1999, collection of The Wereldmuseum, RotterdamNotes to Basquiat: Double vision, 2000, collection of the National Gallery of Victoria, MelbourneNotes to Basquiat: Poet and muse, 2000, collection of the National Gallery of Victoria, Melbourne. Gordon Bennett's series Notes to Basquiat is inspired by the work of Jean-Michel Basquiat, the Haitian-American artist with Puerto-Rican heritage who came to prominence in the USA in the 1980s. Bennett's art practice is interdisciplinary and encompasses painting, photography, printmaking, video, performance and installation. verso on canvas, pencil "G Bennett 31-8-1999/ ". (Ed.). Art, Australian -- 20th century -- Pictorial works. Bennett makes art that questions accepted versions of history, often taking historical artworks as his starting point. Its vintage Bennett: taking no prisoners, refusing not to be furious, making viewers confront racism in all its sly expressions. Dear Jean-Michel Basquiat, Gordon Bennett Possession Island (Abstraction) 1991 was purchased jointly by Tate and the Museum of Contemporary Art Australia with fund provided by the Qantas Foundation, 2016. That is not my intention, I have had my own experiences of being crowned in Australia, as an 'Urban Aboriginal' artist underscored as that title is by racism and 'primitivism' - and I do not wear it well. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Aboriginal, Torres Strait Islander and other First Nations people are advised that this catalogue contains names, recordings and images of deceased people and other content that may be culturally sensitive. On the opposite corner, however, a pair of heads labelled Caucasian and black/abo stare blankly into the void. GORDON BENNETT (b. Notes to Basquiat was named for the American Jean-Michel Basquiat (196088), a precocious young artist of Puerto Rican and Haitian-American heritage, originally a graffiti artist, whose star flamed brightly in the energetic international art world of the 1980s; Perfect teeth riffs on Basquiats own paintings. 152: GORDON BENNETT. This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to a new level within his practice. Bennett is commenting on the devastating effects of colonialisation on Australias indigenous population. Add to favourites. The late artist, of Indigenous and Anglo-Celtic ancestry, expressed his disgust through wit and anger in a variety of . Mclean, I. Its Synthetic polymer paint on paper His sophisticated mimicry becomes two-fold in his quotation of Margaret Prestons woodcut design of a fish. Moreover, Bennetts work is aesthetically similar to American artist Jean-Michel Basquiat. Conflict, Violence, Peace & Art: Notes to Basquiat (2001) by Gordon Abstraction (Citizen) 2011 Of course, this price has nothing to do with the top prices that other . Identities Access more artwork lots and estimated & realized auction prices on MutualArt. 'One of the most important Australian artists of the late 20th century 120 x 80cm In Notes to Basquiat (Death of irony) 2002, Bennett astonishingly knits a homage to Basquiat with Islamic patterns and calligraphy into a coherent composition . Gordon Bennett - Sutton Gallery Search the catalogue for collection items held by the National Library of Australia. is inspired by the work of Jean-Michel Basquiat, the Haitian-American In 1999, the year this artwork was created, John Howard issued a 'statement of sincere regret' over the forced removal of Aboriginal children from their families, failing to make an official apology. secure our sense of ourselves into eternity, identities are the names But is this the tone Bennett actually adopts? Paul Guest OAM QC under the Cultural Gifts Program 2018. Anchoring the composition is a confronting tortured skeletal figure . Pollocks vibrant skeins of paint can be tracked across a range of works: a section of Blue Poles as a background image in Notes to Basquiat (Jackson Pollock and his Other) (2001). Notes to Basquiat: Double vision2000Gordon BENNETT. Closed Good Friday & Christmas day Synthetic polymer paint on paper signed and dated twice, and inscribed with title verso: 16-10-1999 / G Bennett / G Bennett 1610-1999 / NOTES TO BASQUIAT: MODERNITY / , Sutton Gallery, Melbourne (stamped on stretcher bar verso)pARTners Art Collective, Melbourne, acquired from the above in July 2007, Gordon Bennett Notes to Basquiat: One Tense Moment (episode two), Sherman Galleries, Sydney, 5 November 4 December 1999, cat.
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